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From One Hickstead Derby Legend To Another Setting A New Record


Last summer William Funnell set a new Hickstead Derby record when he lifted the Boomerang Trophy for a fifth time – making him the only rider in history to have won the class five times.


Previously William had been the joint record holder alongside four other showjumping greats: brothers John and Michael Whitaker; Harvey Smith, and Irish showjumping legend Eddie Macken.


Eddie was the first rider to achieve four Hickstead Derby wins, and he remains the only rider to ever win four years in a row, with all his victories coming courtesy of the same horse – the great Boomerang. After their fourth consecutive win in 1979, a new trophy was created depicting Eddie and Boomerang descending the Hickstead Bank, which has been presented to the winning rider ever since.


It is apt that Funnell has now lifted this trophy more than anyone else, as it was watching Eddie Macken in the Derby that originally inspired a teenaged William to become a showjumper.

“I was here when Eddie won on Boomerang for a fourth time in really wet, muddy conditions, and I remember thinking how unbelievable that was,” said William. “It really inspired me to want to be a showjumper and to one day jump the Derby.”

Recently, Eddie Macken sat down with Chloe Breen, daughter of Hickstead founder Douglas Bunn, for a video interview about his Hickstead memories. Although his record of four wins in a row will continue to stand, Eddie was quick to pay credit to William’s new record total of five wins.

“William has won five Derby titles now, and I'm delighted – he's a good friend of mine, and great guy,” said Eddie. “He bookmarks the class in his calendar every year and always gives it his best shot, and I think he prepares and sets his horses up for it really well, so there’s no better guy to do it.”

As well as Eddie’s remarkable Derby record, he had an incredible showjumping career including winning countless Grands Prix and Nations Cups, and he was top of the world rankings for three years running. His riding career spanned 50 years, with Eddie only stepping back from competing in 2018 at the age of 69.


Since then Eddie has had an extremely successful career as a coach in Canada and the USA, though recently he has made the decision to fully retire. “I’ve thoroughly enjoyed it, and still loved the horses and the coaching, but the traveling and time away from home sort of got to me,” Eddie explained.


“I am enjoying my retirement, and we have a lovely place where we live near Whistler. Anybody who has a career in showjumping knows they have to give up a lot. Riders live on the road, and we miss out an awful lot of time with our family, and obviously our families have to be very tolerant to put up with it. Hopefully I'm going to be able to make up somewhat for all that lost time, and I love spending time with my six grandkids.”






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  • Writer: Paul Andrews - CEO Family Business United
    Paul Andrews - CEO Family Business United
  • Apr 10
  • 3 min read

Bingo: the word itself conjures images of bustling halls, the rattle of numbered balls, and the collective cheers of a lucky winner. For decades, this simple yet thrilling game has been a cornerstone of British social life, evolving from a pastime associated with smoky working men’s clubs to a multi-generational phenomenon enjoyed everywhere from purpose-built venues to smartphone screens. In the UK, bingo is more than just a game—it’s a cultural icon, a social connector, and a nostalgic reminder of simpler times.


The origins of bingo in Britain date back to the early 20th century, but its true heyday began in the 1960s. In a country rebuilding itself after the Second World War, bingo halls provided an affordable, accessible form of entertainment. These halls, often converted cinemas or theatres, became vibrant community hubs where people of all ages gathered to share a sense of excitement and camaraderie.


For many working-class families, Friday nights at the bingo were a cherished ritual. Armed with dabbers and cards, players would settle in for an evening of good-natured banter, hearty laughs, and, of course, the hope of calling out the magic word. The game’s distinctive calls—“legs eleven,” “two little ducks” (22), and the cheeky “was she worth it?” (76)—became part of the national lexicon, adding to bingo’s unique charm.


By the 1980s, however, bingo halls began to face challenges. The rise of home entertainment and changes in leisure habits led to a decline in attendance, with many venues shuttering their doors. For a while, it seemed as though bingo might fade into obscurity, a relic of Britain’s post-war past.


But bingo, like the luckiest of players, staged a remarkable comeback. The late 1990s and early 2000s saw the game adapt to changing times, with large chains such as Mecca Bingo and Gala Bingo modernising their venues to appeal to younger audiences. Plush seating, themed nights, and food and drink offerings transformed the traditional bingo hall into a stylish and welcoming space.


The digital revolution also played a pivotal role in bingo’s resurgence. Online bingo platforms brought the game to a new generation, combining convenience with innovative features like themed games, chat rooms, and progressive jackpots. For tech-savvy players, bingo could now be enjoyed anywhere—from a commuter train to the comfort of their own sofa.


Despite its technological transformation, bingo’s enduring appeal lies in its social nature. While many games rely solely on individual skill or strategy, bingo thrives on shared anticipation and communal celebration. In both traditional halls and online chatrooms, friendships are forged, laughter flows freely, and wins are celebrated as a collective triumph. For older players, the game remains a vital lifeline, offering connection and companionship in a world that can often feel isolating.


Bingo’s cultural impact in the UK cannot be overstated. From being referenced in television comedies and soap operas to its role in charity fundraising events, the game has cemented its place in the national psyche. Even celebrity culture has embraced bingo’s playful side, with stars like Robbie Williams hosting charity bingo nights and influencers flocking to glitzy, Instagram-friendly events such as “Rebel Bingo” and “Bingo Loco.” These modern iterations mix traditional gameplay with music, dancing, and often a hefty dose of irreverent humour, proving that bingo can reinvent itself without losing its essence.


For all its fun and frivolity, bingo also has a deeper significance in Britain. It reflects the nation’s love of community, tradition, and a bit of cheeky humour. It is a game that has brought generations together, from grandparents teaching their grandchildren the basics of marking cards to friends bonding over a shared streak of bad luck.


Today, bingo is thriving in all its forms. Whether you prefer the buzz of a classic bingo hall, the convenience of an online game, or the novelty of a themed night out, there’s something for everyone. In fact, recent statistics suggest that bingo is enjoying a renaissance among younger audiences, with a surge of players under 35 embracing the game’s kitsch charm and unpredictable excitement.


As bingo continues to evolve, its ability to bring people together remains its greatest asset. In a world that often feels divided and disconnected, the simple joy of shouting “Bingo!”—and sharing that moment with a room (or screen) full of people—is a reminder of the power of collective celebration.


So, whether you’re a seasoned pro with a favourite lucky number or a newcomer eager to try your luck, bingo offers more than just the chance to win—it offers a slice of Britain’s social fabric, one number at a time. Eyes down, and let the games begin.

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