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Expanding Car Parks Operator Apex Parking Doubles In Size



Expanding car parks operator Apex Parking has doubled the size of its portfolio by acquiring 10 new properties.


The company has also rapidly grown its workforce with its headcount now standing at 44 after transferring in 21 staff from a previous operator in one day.


Apex Parking‘s newest locations are Pall Mall, Moorfields and Rumford Street in Liverpool, Chorlton Street in Manchester, The Core in Leeds, New Street, Royal Angus, Londonderry and Horsefair in Birmingham and High Street in Weston-super-Mare.


The company, which was founded in 2021, already operated 10 car parks in London, Liverpool, Manchester, Chester, Bristol, Stoke, Ipswich and Hounslow. The new acquisitions came about after National Car Parks (NCP), which was founded in 1931 and with a portfolio of 340 UK car parks, went into administration in March.


Landowner GreenPoint, a global real assets investment firm with more than $1 billion of equity under management, decided to move away from NCP and the administration process and find new operators for their 32 sites.


Working through their pan-European business management company partner Lysara, GreenPoint decided to split its portfolio between Apex Parking, which already ran three sites for them, and another operator.


Director Ben Sullivan said:

“We are particularly pleased to have been chosen as the as preferred management partner for these 10 car parks by GreenPoint."

“We believe their decision was very much influenced by the work we have done to turn around the existing three sites but also for the significant commercial support and insight we gave them post-NCP’s administration announcement."


“This expansion is another significant step in our journey and reflects the confidence our clients continue to place in our team. Strategically it has worked out very well for us, geographically complementing our existing sites and allowing us to both expand and move forward rapidly through economies of scale."

“We will be upgrading the car parks to the most modern standards, making the lighting better, changing bay markings, improving and reducing signage, increasing safety aspects and dealing with anti-social behaviour."

“The installation of new equipment, supplied by APT Skidata, is making the act of parking simpler and more pleasant – and we offer competitive prices, with discounts for subscribers and season tickets and also reward schemes."


“We would like to reassure drivers by pointing out that we will be honouring season tickets previously bought through NCP for our 10 new car parks, even though we are not obliged to do so by law and most likely will not be receiving any of those funds."

“As a responsible employer we are also dedicated to improving the facilities for our dedicated and hard-working staff. They are the face of our business, the people interacting with our customers and dealing with any issues.”

“Working with a landlord who understands our vision in terms of putting staff back into car parks is so refreshing, as is the appreciation that we need to invest to build a decent, sustainable business and it is the long-term revenues we are looking at, not making a quick buck and disappearing.”


Scott Parsons, chief executive of Lysara, said:

“Over the past few months, the team has worked at pace to transition 30 assets into a stronger operating structure, securing long-term income with Q-Park across 20 sites and retaining attractive operational upside across a further 10 sites with Apex."

“This is an important milestone for Lysara. The new arrangements strengthen the quality and resilience of the portfolio, refocus on the customer experience and preserve our flexibility to integrate new services, including EV charging, overtime.”


Apex Parking, founded in 2021, operates 20 car parks across England, including London, Liverpool, Manchester, Leeds, Chester, Bristol and Birmingham. Visit here for more details with Apex Parking.


Photo: Car park operator Apex Parking directors, from left, Iain Selbie, Guy Watson and Ben Sullivan have overseen a doubling of the size of the company with the acquisition of 10 new properties across the country

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  • Feb 13
  • 4 min read


Owning a valuable art collection is a source of immense pride and personal satisfaction, but it comes with responsibilities that go far beyond curation and display. One of the most important—and often overlooked—tasks for collectors is ensuring their treasures are properly insured. In a market where works of art can be worth millions and provenance disputes are increasingly complex, having the right coverage is as essential as selecting the right piece for your gallery wall.


Understanding the Risks

Art collections face a range of risks, from physical damage to theft or natural disasters. Fire, flood, accidental impact, or even changes in humidity can irreparably damage delicate works, while high-profile thefts make headlines around the world every year. In addition, art is a uniquely illiquid asset: the time required to value, replace, or repair a damaged piece can be considerable, and in many cases, certain works are irreplaceable.


Collectors must also be aware of less obvious risks. Loaning pieces to exhibitions, for example, increases exposure to damage or loss, while transporting art—even between private residences—presents its own hazards. Moreover, market fluctuations can dramatically alter the value of a collection, which makes periodic reassessment of insurance coverage vital.


Types of Insurance Coverage

When insuring an art collection, there are several types of coverage to consider:


All-Risks Insurance:

Often regarded as the gold standard, all-risks policies cover damage or loss from a wide range of perils unless specifically excluded. Policies can be tailored to cover individual items or entire collections.


Agreed Value vs. Market Value:

Agreed value means the insurer and owner agree on the artwork’s value at the time of underwriting, providing certainty in the event of a claim.


Market value policies pay out according to the value of the piece at the time of loss, which can fluctuate significantly, especially for contemporary or emerging artists.


Transit and Exhibition Coverage:

Special policies are available to protect art while in transit or on loan to museums, galleries, or exhibitions. These policies often include coverage for packing, handling, and temporary storage.


Legal and Provenance Protection:

Some insurers provide coverage for legal disputes over ownership or provenance, an increasingly important consideration as the art market becomes more global and complex.


Valuation: The Foundation of Good Insurance

Accurate valuation is critical. Insurers typically require professional appraisals from recognised experts. It is not sufficient to rely on purchase price alone, as the market value can evolve quickly. Regular revaluation—every two to three years—is generally recommended to ensure that coverage keeps pace with changes in the market.


Practical Considerations

Insurance premiums are influenced by a range of factors: the type of art, total value, security measures, storage conditions, and even geographic location. Many insurers now offer guidance on risk mitigation, including climate-controlled storage, secure display cases, alarms, and CCTV. Such measures can reduce premiums and, more importantly, protect the collection.


It is also wise to maintain meticulous records: photographs, invoices, provenance documents, and condition reports. In the event of a claim, thorough documentation can expedite settlement and strengthen legal standing.


Working with Specialists

Art insurance is a niche market. General household or commercial policies rarely provide adequate protection for high-value or rare items. Specialist art insurers, brokers, and independent valuers can provide bespoke advice, ensuring that coverage aligns with the collector’s objectives and the nature of the collection.


A Balancing Act

Insuring an art collection requires balancing protection with practicalities. Over-insurance can be expensive, while under-insurance exposes collectors to catastrophic loss. As with the curation of the collection itself, a considered, strategic approach is essential.


In the end, insurance is about more than financial reimbursement; it is about safeguarding a legacy. Art connects us to culture, history, and creativity, and for collectors, the right insurance policy ensures that these treasures endure—secure, valued, and appreciated—for generations to come.


Lee Boswell, Director of UK based insurers Alan Boswell Group shares five tips for consideration when insuring art:

"An art collection is a prime example of why off-the-peg, one-size-fits-all insurance policies aren't always the most suitable. If nothing else, every art collection is different and the value of individual pieces can vary widely. An independent broker can offer a bespoke solution based on the items owned, the circumstances under which they are kept and so on."

"Getting a personal one-to-one service with an insurance broker who knows something about the subject means that accurate valuations are more likely, and you can feel reassured that the value of your collection is appreciated and understood," adds Lee.


Five considerations when thinking about insuring an art collection:


1. Choose the most suitable cover

Some insurers might consider "an art collection" to be a homogenous thing covered by a standard policy, but art needn't always be paintings hanging on a wall. Your collection might include antiques, sculptures or even comic books. Finding someone who understands what you're talking about is the first step in arranging the right cover for your collection.


2. Re-value regularly

It's important to have regular valuations of your collection and to be aware of what the most valuable pieces within it are. Ideally this should be done ahead of each year's policy renewal, to give the insurer and you plenty of time to agree on the levels of cover is required.


3. Automatically cover new acquisitions

Some insurance policies will automatically cover you for up to 25% more when you buy new pieces, which is a good idea if you are actively buying. Of course, you should still keep your insurer informed of new additions and have them individually valued as soon as possible.


4. Increase on death

Some insurers will apply an automatic increase to the sum insured of a piece, following the death of an artist. The amount of the increased cover can vary from insurer to insurer. You should arrange to have the piece independently re-valued in the wake of the death as well, to ensure the coverage is adequate.


5.Defective title cover

As well as having your collection protected against theft or damage, you should also make sure you are insured against the risk of being sold a stolen piece of art, which is known as defective title cover. This will cover you if you are legally obliged to return this item to its rightful owner and will reimburse you up to the value of that item.


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